One day in the city, told by the New Yorkers in the collection: first light on the bridge, the train, the block, the music, a quiet moment, the Cyclone's first drop. Then the camera pulls back through the whole census until it becomes the seal. Scored to MLow's song Runway In My Mind.
Trailers, spots and highlights from NEW YORKERS. Each one has a door to the gallery it was shot in, and every gallery is free to walk.
Every bodega has a pigeon. Nobody looked her in the eye. One minute, shot entirely inside the walkable exhibition: into the pigeon's eye on the drop, a museum inside a pigeon inside a bodega inside a dream, out through the snow globe and back on the N.
The evil eye emergency case. Hit the glass three times and it shatters to show one of the Keystone 111, pulled at random, then arm it again.
Kong clears the Warriors gap at Coney Island. Then the cast of ON LOCATION skate each other's New York movie sets, one bar each, and everybody falls on the drop except Sonny.
Two minutes through the sets: the scenes New York gave the movies, rebuilt as a walkable gallery and recast with NEW YORKERS.
One night in the city with THE MARKS: the uncounted New Yorkers who came back with a tally on them, and the nine era closers.
A walk through room 183 of the museum, the Hall of Fame, where every honorary portrait MLow has made hangs in one rotunda.
Thirty seconds through Terminal B BLOSSOM: the drop off at golden hour, in under the dome, the gallery concourse of fLOWers, the seven blossoms and the evil eye from the air.
The old Penn Station waiting room, rebuilt as room 180 of the museum and hung with the census. The film that opens the door.
The film NEW YORKERS opened with: a living art census of New York City, one character at a time.
The roll call of the honoraries: the real New Yorkers MLow has brought into the census, one after another.
Made by MLow in New York.